The London Symphony Orchestra and Osian Ellis (harp), Joan Sutherland (soprano)
Conducted by Richard Bonynge
Decca - SXL 6406, year unknown, probably late 1960s
The second side is more memorable, but generally not for the right reasons. The four pieces all include Joan Sutherland singing, in the first two without words. This has given me the opportunity to learn that coloratura is not my cup of tea.
In particular, Glière's Concerto For Coloratura And Orchestra (Op.82) is hard work, despite including some pretty melodies and some very clever interplay between the voice and orchestra in the second movement, because the style of voice is one I find so off-putting. I wasn't sure if this was just Joan Sutherland's particular style (I'm told that singing styles have changed between the then and now) so I listened to some more recent recordings of the piece and while they are not quite as frilly, it's still not something I'd choose to listen to. This isn't to take anything away from Sutherland, who sounds amazing.
Stravinsky's Pastorale (Song Without Words For Voice And Four Wind Instruments) is more interesting (and shorter), and the final two pieces (César Cui's Ici Bas and Alexander Gretchaninov Lullaby) are the classical album equivalent of album filler.