In fact, the first question for me was whether I should use a major or minor scale. The track itself is purely major chords, but a major scale felt far too polite and not rock 'n' roll enough. A minor pentatonic isn't "right" but it does fit with the expected feel of a piece like this, so that's what I went with.
To give it the right sound I set up a slapback delay on the MXR Carbon Copy, with lashings of reverb from the spring emulation on the TC Hall Of Fame, and a single coil (tapped) setting on the neck pickup which gave it the right wirey-ness.
I worked over the track many times, making up for a slight lack of ideas by repeating a few notes over multiple changes (I'm sure I've heard Rory Gallagher do this ...). I particularly struggled with some of the quicker playing at about 38 seconds, but I was pleased with my ending. Sometimes I piece the solo together from multiple takes but this didn't have any gaps, so I had to practice the whole thing enough to get it acceptable when played right through. Once recorded, I just balanced the levels a little in Reaper and that was it.
And et voila:
I didn't do the two months' SotM before this, due our kitchen refit - the first I've missed in almost two years. The amp and pedals were packed away, but I still intended to record it with an amp sim in the box. In the end I just didn't have time.