Watching - March 2025

Titanic (1997)

I've always found this film fascinating, but I'm not sure I can explain why. It's spectacular still, even on a small screen, and the story at its centre is affecting despite being hokey teen angst. I don't really subscribe to the idea of "guilty pleasures" (at least not with respect to mainstream films or music, if you get off on puppy snuff flicks then you definitely have a guilty pleasure) but this comes close as I feel vaguely embarrassed about liking it.

The Good Place (seasons 1-4, 2016-2020)

I fancied watching this again and once I'd started, I binged right through it (my kids are very proud of me). It's ideal for this, for me - nice short episodes, funny but not too silly, and has a definite ending that isn't delayed too long (four seasons is entirely reasonable). The original concept is brilliant, of course, and if it gets a little lost around the middle of season two and beginning of season three, then it's still funny and once the end is in sight, it has a clear message that I like and found touching all over again.

The Incredibles (2004)

Something reminded me that I hadn't watched this for absolutely ages, so I got to enjoy it all over again. Great stuff. I also love the way the short that goes with it (Jack Jack Attack) links in with the events of the main film.

Incredibles 2 (2018)

Well, I had to watch the second one. Not quite as memorable as the first but entertainingly over-the-top. And the short (Auntie Edna) is great too.

Virgin River (season 1, 2019)

Just so we're clear, objectively, this is melodramatic rubbish - and I knew it would be before I started watching it. But I thought I'd try it, since I've been enjoying the books so much. Of course there are differences, but that's OK - mostly. The novels have many recurring characters and story arcs that cross from one book to another, but the main relationship in each book has a definite beginning, a middle and, crucially, a happy ending. I can't stress how important this is. The TV series doesn't do this, and so, for me, breaks a fundamental contract with the viewer. I'm sure eventually the main characters do get together but I'm not prepared to be teased and tantalised forever with a "will they, won't they" story line, so I'm out.

Le Mans '66 (2019)

A great story, well told. Can't say fairer than that!

Reading - March 2025

Stephen Fry in America by Stephen Fry (2008)

The book of the series, although I didn't know either existed until I found this in a charity shop. The series is six, hour-long episodes, which given that there are 50 states to cover presumably means that each state is given similarly cursory coverage as it is in the book - sometimes barely only a few pages. This means that this never really gets off the ground as an immersive experience. It's an amusing read in places though. Maybe the TV series was better.

Shelter Mountain by Robyn Carr (2007)

Whispering Rock by Robyn Carr (2007)

A Virgin River Christmas by Robyn Carr (2008)

Second Chance Pass by Robyn Carr (2008)

These books are easy to read and while I could pick holes in setting. the characters and the storylines, they are well told and compelling enough to keep me reading to find out how it all plays out. By the second book (Shelter Mountain) the author is obviously setting up a world, so we get a lot more people introduced and it becomes a bit of a soap opera, but actually that makes it more interesting, and the small-town-America ("hokey Americana" in the words of one reviewer), while including more grittiness than you might expect, is nevertheless clearly idealised - but still appeals to me in a weird way. The way that new characters keep turning up - someone's cousin's second brother's ex - only to immediately fall in love with each other is a bit predictable but obviously that's part of the genre. But they are a nice diversion from the very long non-fiction book I have on the go at the moment!

Be My Enemy by Christopher Brookmyre (2004)

Brilliant plotting, some great scenes (the one where a guy accidentally chops his own head off is - I promise - hilarious) and superbly painted characters. In fact - just like all Christopher Brookmyre books. I do hope he returns to it some time.

Temptation Ridge by Robyn Carr (2009)

Sweet and romantic, as usual. I also like that, as well as the core romance, there's other relationships forming in the background, which go across books. The main setting is of course the same and possibly over-familiar now. But I have to admit I have the next one reserved already ... don't worry, only another thirteen to go!

Sound on Sound: Classic Tracks by various authors (2003-2024)

Having discovered (very annoyingly) a couple of months ago that a book I was reading was actually available for free online, I went back and read all the Sound on Sound classic tracks columns. Always interesting, and always a bit of a different insight into the making of music than your average music magazine interview - and more realistic, I'd say. being refreshingly free of myth making. Well worth a read - even if perhaps not every track is really a classic!

Watching - February 2025

Some Kind of Wonderful (1987)

The opening scenes and credits of this, set to Propaganda's fantastic "Abuse - Here", are probably one of my favourites ever, and after watching them I can't not finish the film. There's a number of non-sequiturs, occasional over-acting and of course plenty of teen angst but in fairness I have watched it too many times. I still love it though.

The Importance of Being Earnest (2002)

How do you film something quite so well-formed as the classic play? Well, in my opinion, not by rushing breathlessly from location to needless location, adding unnecessary fantasy and backstory sequences, or including pointless additional sub-plots (although it turns out at least one of these latter is apparently from an earlier version of the play). Nor, for that matter, by making Colin Firth sing. Still, Wilde's genius shines through all the over-dressing.

The Proposal (2009)

Nice easy viewing and (slightly) more nuanced on second viewing than I remembered from last time. I really want to have an epilogue scene though, as it felt like there were a few loose ends that could do with tidying up.

Love At First Sight (2023)

I just love this unassuming romance, it's just so sweet. I might be in danger of having watched it too many times now though.

Roxanne (1987)

My choice of film for Z and I to watch on movie night, and I thought he might enjoy the comedy in this - which he did. And I enjoyed revisiting a film I know very well.

Cars (2006)

Reading Virgin River reminded me that I hadn't seen this for ages. Time was when it was run on heavy rotation by Z so it's not like I don't know every scene, but it was still nice to see it again.

Doc Hollywood (1991)

Having just watched Cars, which has often been accused (sometimes by me) of ripping off the plot from this film, I thought Z should see this too for our film night - and also because I thought he'd enjoy it. And I don't mind watching it again either!

Serendipity (2002)

I can't believe this film is over twenty years old. Not because it looks timeless or anything and obviously the actors look younger than they do now. Actually probably what I'm saying is that I'm getting old - but that doesn't stop me loving the film as a hopelessly romantic fantasy, despite the plot being pure Mills & Boon.

A Complete Unknown (2024)

I think Bob Dylan is overrated, and not just because I'm pretty "meh" about most of his music, which is, of course, just a matter of personal taste. No, it's the mythologising that grates most, started by Dylan himself even before he was famous and perpetuated ever since by lazy journalists. So a film that takes that myth and amplifies it by adding more of its own inaccuracies in the name of "dramatic licence" was obviously going to annoy me immensely.

I was surprised to find then that I actually enjoyed the film a lot. The music is from Dylan's best period and the actors do a very impressive job of reproducing it, while the story carries you along nicely. There are one or two instances of the deathless music biopic clichés ("hey how about we just try this?" <fully formed famous song appears out of nowhere>) but none more than usual.

It's poor that Suze Rotolo's role in Dylan's life is over-simplified (and her name changed), which is problematic, and I think Joan Baez comes across very well despite the part being under-written - but then, it's not a film about Joan, although I'd watch that because I suspect it's a more interesting, albeit less dramatic story. But ultimately the film made me want to go back and listen to the music - of both Bob Dylan and Joan Baez - and so is a success from that point of view.

Reading - February 2025

Emma by Jane Austen (1815)

I found it hard to read this time without making mental comparisons with the plot of Clueless; but then again, perhaps I was distracted, because for most of it, it was the small hours of the morning and I was waiting in A&E for my name to be called (I'm fine, don't worry). Still great fun and longer than I remembered, but worth it for the denouement.

The Importance of Being Earnest by Oscar Wilde (1895)

Despite being set in a clearly different time, this is so wonderfully sharp and cynical that it could be the modern day. Lovely and short (it took me barely an hour to read), it sizzles with wit and is so choc-full of famous quotes you can't go a page without hitting one. A nice distraction (I was still in the hospital waiting room at this point).

Make Room for Daddy by Andrea Edwards (1990)

Every time I read this I feel like I have to apologise for the truly awful title, but this is an unpretentiously sweet and romantic story and I was moved all over again even though I know exactly what happens.

Virgin River by Robyn Carr (2007)

The plot's a fairly direct lift from Doc Hollywood (maybe via Cars), but that doesn't stop it from being a really engaging story (which it was in both of those films, so ...). There's loads in this series so I'm off to reserve the next couple!

Finding Love at Sunset Shore by Bella Osborne (2024)

A cute little romance, set in Southampton (albeit with a few made-up venues, I suspect - there's no "Sunset Shore" or even anything resembling a beach in Southampton), which carried me along nicely despite there being no doubt how it was going to end.

Welcome Back to Apple Grove by C.H. Admirand (2013)

Man and woman fall instantly in love and lust, encouraged by all their family and friends - the end. Somehow this fills a book and doesn't actually feel like a waste of time, despite the lack of development, which I think is partly down to a well-written set of supporting characters.

Mister Teacher by Jack Sheffield (2008)

The second instalment of the series sees just as many specific references to the time in which it is set shoehorned in, but the writing is settling down and the author is doing a good job of drawing out the romance element. I'm surprised it's not been made into a TV series, but it would be expensive to make. If I can find more of these I'll probably read them!

Watching - January 2025

Pride and Prejudice (1995)

Ah yes, the iconic BBC production, with Colin Firth and that look. Sure, it has its faults and it's of its time; the sisters are all clearly too old, Julia Sawalha as Lydia in particular; and too many scenes are unbalanced by allowing Alison Steadman free rein to play Mrs Bennet as, essentially, a pantomime dame. Additionally, a washed out and poorly cropped transfer to DVD (and all widescreen broadcasts I've seen) does it no favours at all. Still, it never fails to charm.

Sky High (2005)

Despite being a slightly lowest common denominator choice for the family pizza-n-movie night, this provided plenty of entertainment all round. Plenty of pre-MCU knowing winks to Marvel & DC style - unexpectedly prescient - and comedy, with a wholesome Disney plot. Definitely worth a watch if you haven't seen it before.

Pride & Prejudice (2005)

Watching this adaptation directly after the previous one is very instructive. Visually, there's no competition: the film looks sumptuous and realistic, with Chatsworth standing in for Pemberley (it turns out Mr. Darcy really was that rich) while the TV series looks dated, even factoring in the poor quality versions now available. That said, compared to the detail allowed by six hour-long episodes, the film is like a speedrun through the plot, and I feel that anyone unfamiliar with the storyline would certainly miss the nuances. Nevertheless, this is probably my preferred version now, possibly just because I've over-watched the BBC version!

Abbey Road: If These Walls Could Sing (2022)

A soft-focus, nostalgic look back at the history of the legendary Abbey Road Studios, featuring interviews from a whole host of famous faces. Not really a complete history though, more a  gentle reminisce, but an enjoyable watch nevertheless.

Cool Runnings (1993)

I bought this on DVD finally and so that was an excuse to watch it again. Great fun.

Yes, Minister (series 1, 1980)

Although this looks dated - filmed in a square format, everything beige, wobbly sets and cameras, all classic BBC sitcom-on-a-budget stuff - there is unfortunately no doubt that the subject matter is completely current. Still, it's funny and watchable.

Beatles '64 (2024)

I'm not sure the world needed another Beatles documentary - but at least this was less than two hours rather then the six hour marathon that was Get Back. It does give a glimpse into the eye of the storm, which is interesting, but overall it was a bit dull.

Summer of Soul (2021)

I fancied revisiting this and the musical performances make it worthwhile. What struck me on second viewing is the points that it makes about the segregation in force - formally or otherwise - for black people in 1969, how a massive event like this made the people of Harlem feel, and what it says that it was subsequently completely ignored.

Reading - January 2025

Reach for the Stars by Michael Cragg (2023)

An interesting companion to the Boybands Forever mini-series on the BBC I watched last year, this tells the same stories and more, in more depth. However, the oral history format, consisting primarily of quotes from those who were there, makes this a disjointed read, without any real narrative flow. It also feels like a book aimed at people who already know the basic stories already, and are keen for more inside details - which it definitely provides - rather than someone wishing to learn about the "manufactured" pop groups of the late 90s and early 2000s. Nevertheless, it's an interesting book and a good reminder that there was a lot of good pop around then. Sadly, it's also a reminder that the men behind the acts - and they were nearly all men - were and are horrible, manipulative, exploitative arseholes. There isn't an artist in here that doesn't have some sort of regret or tale of unpleasant behaviour from the likes of Louis Walsh, Simon Callow or their ilk. The luckiest of them have come through the other side, but there are definitely some who were swallowed up and spat out with no thought of their welfare or future. So ultimately this was a bit depressing, particularly ending as it did on the whole Popstars/Pop Idol/X-Factor egregiousness, which in making a spectator sport of other people's misfortune and misfortune, marked a real low point in entertainment culture.

Classic Tracks by Richard Buskin (2012)

The premise here - technical interviews with the engineers on classic tracks, as opposed to hearing from the artists themselves - is really good, the pieces themselves interesting and the book nicely put together. But the book's large, coffee table format makes it a physically awkward read, and it took me a while (years, in fact) to finish it. What makes the whole thing more annoying is my discovery, literally a couple of weeks ago, that all the pieces in the book were originally published in Sound On Sound magazine (this isn't mentioned anywhere in the book) and are available for free on their website, along with nearly 100 others. Not recommended in book form, but highly recommended on the web site!

Pride and Prejudice by Jane Austen (1813)

Having watched the TV and film adaptations this month, I couldn't not go back to the original, and I'm pleased I did - a perennial favourite of mine, and I suspect it always will be.

Reading - December 2024

Space: The Human Story by Tim Peake (2023)

A chatty, informal jaunt through the history of space travel. I don't think much of this is particularly new - I've read quite a bit about the Apollo missions and so the sections on that were somewhat familiar - but it's presented in a very readable style. An ideal introduction to the subject or, indeed, a perfect summary if what you want is a general reader on the subject rather than excruciating detail (I'm looking at you, James R Hansen).

The Fourth Protocol by Frederick Forsyth (1983)

Very convincingly detailed but also rather transparently reflective of the author's own views and prejudices. A great yarn nevertheless.

The Maid by Nita Prose (2022)

A nice little murder mystery, featuring a central narrator - the maid - who is presumably autistic (although this is never specifically mentioned). It feels like a cross between Mark Haddon's The Curious Incident of the Dog in the Night-Time and the series that presumably all publishers want to duplicate, Richard Osman's record breaking Thursday Murder Club books. Very readable - I finished it in a day, although I was off work with a heavy cold so I wasn't doing much else - and enjoyable.  However, I did feel that the final "twist" wasn't very believable.

How Not to Murder Your Ex by Katie Marsh (2023)

I enjoyed this, a female-centred whodunnit/thriller, but found the characters a bit stereotyped.

A Caribbean Mystery by Agatha Christie (1964)

A Pocket Full of Rye by Agatha Christie (1953)

The Mirror Crack'd from Side to Side by Agatha Christie (1962)

They Do It with Mirrors by Agatha Christie (1952)

Well, there's nothing quite like Agatha Christie for nice comforting murder mysteries, is there? Very often one of my go-tos when I'm not feeling well. All four novels (here from the Miss Marple Omnibus Volume 2) are classic Christie, setting the template for all future writers by making sure it's the least predictable person who dunnit, thereby making it a little bit predictable - but only from the perspective of seventy years later! 

The Thirteen Problems by Agatha Christie (1932)

Miss Marple's Final Cases by Agatha Christie (1979)

All the Miss Marple short stories (collected in a single volume here), but did you notice the incredible time between them? Yet they don't really read any different: Christie and Miss Marple in particular were always caught in a time warp. The stories themselves are nicely condensed, and don't feel too brief.

Marr's Guitars by Johnny Marr (2023)

For some reason it took me ages to get round to reading this, but once I did it only took me an afternoon. It's a sumptuous document of an astonishing collection of guitars but as a book it's a waste of money for me, and I'm not really sure why I bought it. I mean, you've seen one picture of a '58 'burst, you've seen 'em all, right? I'm not going to get to actually play any of these; I might play something similar and then I'll be interested in that. And I'm not sure what motivated Marr to make the book, as he doesn't come across as the type to just do it for the money. Still, nice to get a glimpse into another world!

The Secret Public by Jon Savage (2024)

Blimey, this was hard work. And I really wanted to like it - a history of how gay sub-cultures have informed and bled into mainstream entertainment over the decades is a story worth telling. But this isn't that story, sadly. It feels like Savage wants to be writing an academic tome for future historians to pore over, whereas I think what the subject needs - and certainly what I was hoping for - is a good summary. What we get is a mess of a structure that prevents any kind of clear narrative emerging, and a wealth of unnecessary detail. But none of it is new information and by including too much, the main point of the book - "How LGBTQ Performers Shaped Popular Culture (1955-1979)", to quote the over-reaching subtitle (it's mostly about gay men and pop music) - is fudged and obscured. I finished it eventually - over two months after I started - out of sheer bloody-mindedness but I'm not sure I should have bothered.

The No. 1 Ladies Detective Agency by Alexander McCall Smith (1998)

I wrote last time I read this about the possible charge of cultural appropriation and I haven't changed my opinion (but then I am a white middle-aged, middle-class male so what do I know). What I'd forgotten is how filled with pathos it is - it's not just a jolly African Miss Marple. Very readable and with a clear, unique voice, which is rare I think. I didn't realise until today though that there are twenty five novels in the series!

Tears of the Giraffe by Alexander McCall Smith (2000)

The mix of small mysteries, homespun wisdom and little life choices is what makes these, for me anyway. Nothing really bad happens, nothing really major changes - just life moving along at it's usual pace. I don't know if McCall Smith planned these books as a series but in resisting the temptation to stuff each book with a lot of drama, he has given himself all the space to allow a much more appealingly gradual character and plot development. In hindsight, it's a brilliant idea, if the writing and characters are up to it - which they are of course.