Watching - March 2025

Titanic (1997)

I've always found this film fascinating, but I'm not sure I can explain why. It's spectacular still, even on a small screen, and the story at its centre is affecting despite being hokey teen angst. I don't really subscribe to the idea of "guilty pleasures" (at least not with respect to mainstream films or music, if you get off on puppy snuff flicks then you definitely have a guilty pleasure) but this comes close as I feel vaguely embarrassed about liking it.

The Good Place (seasons 1-4, 2016-2020)

I fancied watching this again and once I'd started, I binged right through it (my kids are very proud of me). It's ideal for this, for me - nice short episodes, funny but not too silly, and has a definite ending that isn't delayed too long (four seasons is entirely reasonable). The original concept is brilliant, of course, and if it gets a little lost around the middle of season two and beginning of season three, then it's still funny and once the end is in sight, it has a clear message that I like and found touching all over again.

The Incredibles (2004)

Something reminded me that I hadn't watched this for absolutely ages, so I got to enjoy it all over again. Great stuff. I also love the way the short that goes with it (Jack Jack Attack) links in with the events of the main film.

Incredibles 2 (2018)

Well, I had to watch the second one. Not quite as memorable as the first but entertainingly over-the-top. And the short (Auntie Edna) is great too.

Virgin River (season 1, 2019)

Just so we're clear, objectively, this is melodramatic rubbish - and I knew it would be before I started watching it. But I thought I'd try it, since I've been enjoying the books so much. Of course there are differences, but that's OK - mostly. The novels have many recurring characters and story arcs that cross from one book to another, but the main relationship in each book has a definite beginning, a middle and, crucially, a happy ending. I can't stress how important this is. The TV series doesn't do this, and so, for me, breaks a fundamental contract with the viewer. I'm sure eventually the main characters do get together but I'm not prepared to be teased and tantalised forever with a "will they, won't they" story line, so I'm out.

Le Mans '66 (2019)

A great story, well told. Can't say fairer than that!